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And for some women who become pro-dommes, working in a dungeon can be one way to cope with a brutal economy.
Madonna, Nine Inch Nails, Joan Jett and other musical stars brought sadomasochistic imagery to their audiences, and Hollywood films like 1994’s “Exit to Eden” (starring Dana Delaney and Rosie O’Donnell) depicted sadomasochists as a combination of sexy, humorous, fun and edgy.
References to BDSM have even found their way to mainstream television programs ranging from the sitcom “Frasier” to the long-running daytime soap opera “The Young and the Restless.” Before the 1990s, vanilla porn films (that is, porn films that aren’t sadomasochistic in nature) avoided depictions of even light BDSM; now, it isn’t unusual for vanilla porn to include scenes that involve mild spanking or light bondage.
And in the worst economic downturn since the Great Depression of the 1930s, more and more women have (according to well-known professional dominatrices like Mistress Nina Payne in New York City and Mistress Bella Vendetta in Massachusetts) been looking to professional domination as a possible source of income.
The 1990s were a major turning point for BDSM, which invaded mainstream pop culture in a big way during that decade.
With the public awareness of BDSM having increased considerably , struggling actresses and struggling singer/songwriters realized that there was more money to be made working in dungeons than waiting tables or working at Starbucks—and during the economic crisis of 2008-2011, people in the creative arts aren’t the only ones who are struggling.
There is no shortage of unemployed women with advanced business degrees from major universities; these days, having an MBA doesn’t necessarily mean that one won’t end up working in a dollar store.